Othello
A Winter’s Tale
Two Gentlemen of Verona
La Commedia degli Errori
The Masque of Queens
Shakespeare at The Farm
Abigail/1702
Taming of the Shrew
Top Clowns
La Tempesta
Much Ado About Nothing
The Merchant of Venice
Much Ado About Nothing
The Ascension
Eight Songs for a Mad King
Instant Laugher
L’Effondrement de Tour Eiffel
Fall of the Eiffel Tower
A Christmas Carol
The Vagina Monologues
All’s Well That Ends Well
Twelfth Night
Crimes of the Heart
Wealth
King Lear
Hamlet
Campion’s Will
Anything Goes
Kazalište Lutaka Zadar
Kazalište Lutaka Zadar
La MaMa E.T.C
La MaMa Umbria
Festival of Early Drama
Theatre Wallay
Dangle Theater
Tulane Shakespeare Festival
National Theatre of Kosovo
Actors Theatre
University of Madras
The Vortex Theatre
Central Park Bandshell
Festival of Early Drama
Utah State Theater
Elon University
Longue Vue Playhouse
Danna Center
Marquette Theatre
Taggart Auditorium
Marquette Theater
Marquette Theater
Marquette Theater
Society of Classical Studies
Central Park
Expanded Arts
Palmer House Hilton
Utah State Theatre
Zadar, Croatia
Zadar, Croatia
New York
Spoleto, Italy
Toronto, Canada
Islamabad, Pakistan
Carrollton, Georgia
New Orleans
Pristina, Kosovo
New York
Chennai, India
New York
New York
Toronto, Canada
Logan, Utah
Elon, North Carolina
New Orleans
New Orleans
New Orleans
Logan, Utah
New Orleans
New Orleans
New Orleans
New Orleans
New York
New York
Chicago
Logan, Utah
For more in-depth Directors Content see my book Shakespeare and Commedia dell'Arte: Play by Play
By Joseph M. Schuster,
Show Business Weekly
“Duvall O’Steen plays Romeo with an exuberance that I have never seen brought to the character. Preeshl…is an excellent director…the death scene is perfection. The all-female cast breathes new life into Shakespeare’s tale of star-crossed lovers and gives the play an interesting
By Valentina Mlađen, ZadarskiList
“[I]t was well enough acted to be understandable and it was innovative enough to attract…a small but quality audience of culture connoisseurs to the Zadar Puppet Theater.”
By Mary Elizabeth Ellzey, Earlytheatre.org
‘The Ascension’…captured the constantly shifting moods of despair, anxiety, hope, and confidence….While the apostles painfully lamented…and comforted one another, the blood-red silk of Jesus’s train was visible…behind the angel, halfway up the stairs…The most beautiful symbols …the apostles lifted Jesus to represent the crucifixion, stigmata in his palms had become roses, and the blood that he shed now became rose petals.
By Ray Vrazel, KC/ACTF
The production, allowing the audience to be there with the actors…tak[es] him on a surreal journey of the great fall…The play was titillating. Instead of leading the audience down a primrose path, the show led to wisdom, knowledge and the “ah ha.” Life is beyond us. Not in charge of our lives, we slam into a bus…to realize that “this is the moment.
By Robert Coleman,
The Salt Lake Tribune
“a rare, fully staged version” of the work.
Matt Wright, The Utah Statemen
April 13, 2005
[T]here was a time when Cinnamon Toast Crunch, pajamas and “Teenage Mutant Ninja Turtles” made Saturday …the…most anticipated part of the week…Utah State Theatre …recreate[s] that “Saturday morning cartoon” feeling with a unique adaptation of Comedy of Errors…like watching five Charlie Chaplins on stage all at once. It’s insane, random and not like anything you would expect…[L]ogical absurd [is] where something is said and…everything associated with a given word comes into being and then, just as suddenly, leaves…[V]erbal comedy…inspires the physical comedy.
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